To use images of Graham Fagen’s artwork please contact Artimage on artimage@dacs.org.uk or 020 7790 7550.
Current and Forthcoming Exhibitions
2023 |
A Portrait of Sir Geoff Palmer, Inverness Museum and Art Gallery, Inverness A Portrait of Sir Geoff Palmer, Scottish National Portrait Gallery, Edinburgh |
2019 |
New Symphony of Time, Mississippi Museum of Art, Jackson, Mississippi |
Selected Solo Exhibitions
2021 |
Ping Pong Club, Queens Park Railway Club, Glasgow International, Glasgow Lockdown Rainbows and Flags, Matt's Gallery, London |
2019 |
The Slave's Lament, Holburne Museum, Bath From Me To You, Maus Contemporary, Birmingham, Alabama |
2018 |
The Slave's Lament, Doris McCarthy Gallery, Toronto |
2017 |
The Slave's Lament, Scottish National Portrait Gallery, Edinburgh Complainte de l'esclave, Galerie de l’UQAM, Montreal |
2016 |
Graham Fagen, Inverness Museum and Art Gallery, Inverness The Mighty Scheme, CGP & Dilston Grove with Matt's Gallery, London Scotland + Venice, Hospitalfield, Arbroath |
2015 |
Scotland + Venice, Palazzo Fontana, Venice |
2014 |
In Camera, Panorama, La Friche, Marseille Cabbages in an Orchard, Glasgow School of Art, Glasgow |
2013 |
In Camera, Panorama, La Friche, Marseille |
2012 |
The Making of Us, Tramway, Glasgow |
2011 |
missing, Scottish National Portrait Gallery, Edinburgh Under Heavy Manners, Artpace, San Antonio Baile an Or, Timespan, Helmsdale |
2009 |
somebodyelse, The Changing Room, Stirling |
2007 |
Come into the Garden And forget about the War, Galerie Micky Schubert, Berlin Downpresserer, Gallery of Modern Art, Glasgow |
2006 |
Closer, Doggerfisher, Edinburgh Killing Time, Dundee Contemporary Arts, Dundee |
2005 |
Clean Hands Pure Heart, Tramway, Glasgow |
2004 |
Heaven & Hell, CRAC, Alsace |
2003 |
Theatre, Chapter, Cardiff |
2002 |
Love is Lovely, The Fruitmarket Gallery, Edinburgh la mia casa dov'e?, Italian Cultural Institute, London |
2001 |
Graham Fagen, Valeria Belvedere, Milan |
2000 |
Theatre, Imperial War Museum, London Graham Fagen, Yorkshire Sculpture Park, Wakefield |
1999 |
Graham Fagen, Inverleith House, Edinburgh Graham Fagen, Valeria Belvedere, Milan Graham Fagen, Murray Guy, New York |
1998 |
Peek-A-Jobby, Matt's Gallery, London |
Selected Group Exhibitions
2021 |
Confluence. Tradition in Contemporary Art, Art Museum of Sichuan Fine Arts Institute, Sichuan New Arrivals: From Salvador Dalí to Jenny Saville , The National Galleries of Scotland, Edinburgh |
2020 |
Academicians in Isolation, Royal Scottish Academy, Edinburgh |
2018 |
We Suffer to Remain, National Art Gallery of the Bahamas, Nassau |
2017 |
We Have Met Before, National Gallery of Jamaica, Kingston Glasstress 2017, Glasstress, Venice |
2013 |
Between the Late and Early, The Royal Scottish Academy, Edinburgh |
2011 |
Tales of the City, Gallery of Modern Art, Glasgow |
2010 |
Woodman Spare Me That Tree, Galerie Micky Schubert, Berlin |
2009 |
Running Time, The National Galleries of Scotland, Edinburgh Unsettled Objects, Gallery of Modern Art, Glasgow |
2008 |
What is Life, Royal Botanic Gardens, Edinburgh Supernatural, Centro Cultural Kunsthalle, Andrax |
2007 |
Shadows in Paradise, FRAC Nord-Pas de Calais, Dunkirk |
2005 |
Evergreen, Inverleith House, Edinburgh |
2004 |
Still Life, Art & Industry Biennial, Christchurch, New Zealand Art of the Garden, Tate Britain, London Bloodshed, Victoria & Albert Museum, London Busan Biennale, Metropolitan Art Museum, Busan |
2003 |
Life Study (after Giorgione), Biennale, Venice Mars, Art & War, Neue Galerie am Landesmuseum, Graz Nursery World, Jennifer Flay, Paris |
2002 |
Reality Check, British Council, touring exhibition |
2001 |
Black Box Recorder, British Council, touring exhibition Definition, Murray Guy, New York G13 NY3, Casey Kaplan Gallery, New York Here + Now, Dundee Contemporary Arts, Dundee |
2000 |
British Art Show 5, British Art Show 5, Edinburgh Southampton Cardiff Birmingham |
1999 |
The Golden Age, ICA, London A Touch of Evil, Metronom, Barcelona The Sea, The Sea, Murray Guy, New York |
Selected Projects
2017 |
Had We Never, Edinburgh International Festival |
2016 |
A Drama in Time The Garden |
2014 |
War c/w I Murder Hate |
2010 |
For St Agnes. Commissioned by Foreground for Bristol City Council |
2009 |
I Murder Hate. Commissioned by the Tolbooth and The Changing Room, Stirling |
2007 |
Fir Tree. Commissioned by FRAC Nord pas de Calais for Talbot House Museum, Belgium True Love. Commissioned by City Projects, London |
2002 |
Radio Roselle. Commissioned by TV Swansong The Forest & The Forester (after Maeterlinck). Commissioned by Grizedale Arts Where the Heart Is. Commissioned by the Roston Road Project |
1999 |
Subversive on the Side of a Lunatic. Commissioned by the Henry Moore Institute |
Selected Publications
2011 |
Baile an Or (Timespan, Helmsdale) |
2010 |
For St Agnes (Foreground, Frome) |
2009 |
somebodyelse (The Changing Room, Stirling) |
2007 |
Scotland & Venice 2003 2005 2007 (National Galleies of Scotland, British Council, Scottish Arts Council, Edinburgh) |
2006 |
Killing Time (Dundee Contemporary Arts, Dundee) |
2005 |
Clean Hands Pure Heart (Tramway, Glasgow) Une Si Belle Saison (CRAC, Alsace) |
2004 |
Scape, Art & Industry Biennial 04 (Art & Industry Biennial, Christchurch) la mia casa dov'e? (Nuovo Icona, Venice) Art of the Garden (Tate, London) Busan Biennale (Busan Biennale, Busan) |
2003 |
Mars. Kunst und Krieg (Hatje Cantz Verlag, Ostfildern - Ruit) |
2002 |
Love is Lovely (The Fruitmarket Gallery, Edinburgh) The Forest & The Forester 9after Maeterlinck) (Grizedale Books, Grizedale Forest) Botanica (Grizedale, Grizedale) TV Swansong (ARTicle Press, Birmingham) Reality Check (The British Council, London) Arts Council Collection Acquisitions 1989-2002 (Hayward Gallery Publishing, London) |
2001 |
Gemini Sculpture Park (The Henry Moore Institute, Leeds) Here + Now (Dundee Contemporary Arts, Dundee) |
2000 |
Black Box Recorder (The British Council, London) The British Art Show 5 (Hayward Gallery Publishing, London) |
1999 |
Subversive on the Side of a Lunatic (The Henry Moore Institute, Leeds) |
1998 |
Peek-A-Jobby (Matt's Gallery, London) |
1997 |
Art as Reactionary Statement (Care in the Community) (Armpit Press, Glasgow) |